A customer recently brought in this little (5-3/4" x 8") oil on board by Glasgow painter James Cosgrove (b. 1939). The stained walnut frame was designed entirely to the painting, with a carved cushion rim around a flat with fine carved flutes. I'm very pleased with the harmony of line and form, as well as color—a rare occasion when black works best with a painting.
An example
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Charles H. Hamm had asked that schools become creative laboratories and the
MakerEd newsletter has asked folks to share their maker spaces with other
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