This recent job offers a simple lesson in two key elements in frame design: line and form.
We just framed this contemporary painting by Ukrainian-American artist Andrij Korchynsky. Despite the loose style, the sweeping lines and angularity of the roofs suggested the form of the profile—a broad flat sweeping up to a scoop and then beveling back. With respect to line, a narrow raised panel at the sight edge, at the same width as the lines defining the structures, adopts the painter's standard. A 1/4" liner oil-gilded with 23 kt gold leaf gives it just the right highlight in keeping with the painting's palette.
The wood is quartersawn white oak with Saturated Medieval Oak stain.
Partly assembled hall table
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I've glued up the leg assembly for the hall table and will make the drawer
next. Then I will finish routing the top and apply coats of Danish oil.
Make, ...
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