We've had the privilege of framing more and more historical work, and this past month got to re-frame this sweet oil painting, "Foggy Morning," (10" x 17") by Ludmilla Welch, who with her husband Thaddeus Welch, worked in San Francisco at the turn of the century. It's in a very low slope Century Series 3" wide profile in stained quartersawn white oak.
Answer to too much glue
-
Reader's must have had experience, as have I, in spreading too much glue or
in having tiny and precise applicators plug up and require laborious
cleaning...
No comments:
Post a Comment
Substantive comments & questions are welcome