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Of all the woods we use, we tend to emphasize
quartersawn white oak. But walnut has always been a big favorite too, especially for carving. In preparing for the
Paul Kratter show in June, the painting we decided to use for the publicity suggested walnut. Here's a corner detail of the frame, which is a compound design, meaning it's composed of more than one molding. This one has a cap molding as well as a liner. The liner has pale gold leaf laid directly on the walnut so the grain comes through.
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The color of walnut harmonizes well with many pieces because it's rich without being too intense. We typically stain it - this one has a light stain - to mute it even further.
We use walnut frequently for drawing frames (i.e., narrow profiles), but it's often great on paintings and other items.
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