Framing Louis Apol

Here's a notable historical work for you. Just framed this beautiful European landscape by Louis Apol (Dutch, 1850-1936), "A Forest in Winter" (oil on canvas, 32 x 25). (Click image for a larger view.)

The stained quartersawn white oak frame is a 4-1/2" wide slope with a carved cushion sight edge. The double reeding outside the cushion, with carved stops near the corners are a nod to the delicate strokes that define the trees, and give the frame a degree of refinement in sympathy with the artist's well-honed touch. The 1/4" gilt slip catches the sunlight. We were aiming for a suitably rustic but sensitive feel, a quiet mood, simple. No "before" shot of this in a gold frame, but can you see how the dark wood suits the painting much better than a gold one would? How it's like the shadows in the painting, and how the shadowy feel of the frame leads your eye to the picture and acts as a foil to the picture, and in particular to the sunlight? And, of course, the rustic feel connects you to the rustic subject matter much more successfully than would a gold frame.

Below is a corner sample of the frame design (without the carved stops on the reeding).

Framing Grueby Tiles

We just finished framing a batch of Grueby tiles for a customer in Ohio. Something simple but alive to these very lovely and historic items. A pleasure! (Click images to view larger.)

Ranches & Rolling Hills - MALT Art Show and Sale 2012

Spring is here a bit early this year with daffodils and fruit trees in full bloom. I have been visiting some beautiful West Marin MALT ranches, painting and collecting images for this year's 15th Annual "Ranches & Rolling Hills" art show. Three years ago I painted a portrait of a sheep named Torpedo on Al Poncia's ranch in Tomales. He was one of the 'bum' lambs raised by Anita, Al Poncia's mom, in her laundry room. A 'bum lamb' is one that is rejected by the mother ewe and therefore has either be hand fed or attached to another ewe. He became very tame and for a long time loved people more than his own kind. A couple of weeks ago I made a visit to the ranch and Torpedo was grazing out in the field. When I called his name, he came ambling over to the car and almost hopped in to see what I had in my cooler. I knew he liked apple, so I quickly pulled one out and cut off little pieces to give him. Torpedo loved it and soon had eaten the whole apple. He scratched my leg, just like a dog, begging for more. What a character! I gave him some good back scratches, which he gladly accepted, before he ambled off into the pasture with his flock.

I decided I had to paint another portrait of this friendly guy, and so he will once again make an appearance at the "Ranches & Rolling Hills" Art show to be held in Nicasio on May 19th and 20th, 2012. Make sure to mark your calendars and come out West to see a great show featuring over 40 well known California artists' works of art. Fifty percent of the art sales will go to benefit Marin Agricultural Land Trust so that they can enable Marin ranchers to continue working their land. The event is free to the public. Please visit "Ranches & Rolling Hills Art Show" for more information about this event. Hope to see you there....

Framing a Grueby Tile

We just shipped out this beautiful 6" Grueby tulip tile to a customer in Ohio. The soft and subtle form of the leaves suggested a very feminine frame and inspired this adaptation of our Holland profile.

For more on framing Arts and Crafts tiles, see this older entry.

Re-framing William Hubacek

Just framed this 10" x 14" oil on canvas by notable Californian William Hubacek (1871-1958), rescuing it from a cheap gold setting. The job offers a good before-and-after, and a good example, I think, of how a frame helps or hinders your ability to see the picture:

 

The frame's flat coving up to a carved cushion back edge. In quartersawn white oak with Weathered Oak stain. Very oak-y. Much more sympathetic to the spirit of a very lovely painting.

New work from Erik Tiemens

Erik Tiemens just brought in three lovely Marin County oil paintings, all done at Rodeo Beach.

This (above) is "Rodeo Beach—Marin Headlands," 12" x 16". $1200 unframed.

“Hillside at Rodeo Beach,” 8-3/4" x 11-3/4". $1100 unframed.

 “View of Rodeo Beach,” 6" x 12". $900 unframed.

Framing a small Edward Curtis—Another Carved Corner Design

Recently framed this small original Edward Curtis photogravure of Apache Indians for a couple in Texas. The print had wide margins, but we wanted the effect of framing it close so used a lap-joined flat — kind of a wooden mat, although on top of the glass. We've taken this approach a number of times before.

 Also wanted to show the carved corner design. Both the corner design and the chamfer on the flat, which has 45 degree angled stops, echo the headdresses in the photo.